The Polish-American pianist Anna Kijanowska (key-en-OFF-ska) has established herself as a multi faceted musician, smoothly transitioning among her roles as a performing and recording artist, pedagogue, coach, and advocate of contemporary classical music around the world. She has performed, taught and collaborated in North and South America, Asia, Europe, New Zealand, Africa and Australia.

Hailed by The New York Times (2007) as “an excellent young Polish pianist,” and by Brazilian critics as “the Tina Turner of classical music” (2010), Kijanowska’s concert performances represent the stunning diversity of today’s globalized classical music scene; she is equally at home performing in Carnegie Hall as the steppes of Mongolia. Her New York debut took place in 1997 with a live broadcast over WQXR, and she has to date appeared in Carnegie Hall, Merkin Hall (NYC), and the Kennedy Center and National Gallery of Art in Washington, D.C, as well as in underserved venues such as the Amazon basin in Brazil, the Himalayas in Nepal, and Mongolia.

Kijanowska’s recording of The Complete Mazurkas by Szymanowski (Dux) was recently praised by Adrian Corleonis of Fanfare Magazine “as superior to any other interpretations that came before or after her” and received favorable reviews on both sides of the Atlantic from the New York Times and BBC Magazine.

As a concerto soloist, recitalist and chamber musician, she has appeared in major festivals in Europe, including the Kiev Festival and the Polish Composers Festival under the patronage of Henryk Mikołaj Górecki, as well as at the Quartet Program at Bucknell University and SUNY Fredonia in New York. She has collaborated on these projects with several other renowned musicians, including violinists Charles Castleman, Sharon Roffman, and Ayano Ninomiya of Ying Quartet, pianist Blair McMillen of the Da Capo Chamber Players, and jazz pianist Leszek Możdżer. She has also been heard on WQXR in NYC, WNYC in New York, Chicago Radio, Radio New Zealand, SBS National Public Broadcasting in Australia, and has performed for television audiences in Poland, Ukraine, Brazil, Australia, New Zealand and Thailand.

As an internationally recognized music educator, Kijanowska has been invited to present master classes, recitals and lectures at leading universities and conservatories around the world, including the Yong Siew Toh Conservatory of Music at the National University of Singapore, Nanyang Academy of Fine Arts and LaSalle College of Arts in Singapore, Frankfurt University of Music and Performing Arts in Germany, the Sydney Konservatorium, the Chinese Conservatory in Beijing and the Xinghai Conservatory of Music in Guangzhou, China, New Zealand School of Music at the Victoria University of Wellington, in New Zealand, Australian National University in Canberra, Yayasan Pendidikan Musik Conservatory in Jakarta, Indonesia, North-West University in South Africa, the Conservatory in Lima, Peru, St. Thomas University in the Philippines, the Universities of Arizona, Utah, Nevada, Virginia and California, Bard College in New York, and Harvard University in Cambridge, among others.

Ms. Kijanowska holds a Doctorate and a Master of Music in Piano Performance from the Manhattan School of Music in New York, where she studied with Byron Janis (pupil of Vladimir Horowitz and Rosina Lhevinne), Mykola Suk (pupil of Lev Vlasenko), Sara Davis Buechner (pupil of Rudolf Firkušný and Mieczysław Munz) and Marc Silverman.

Ms. Kijanowska is currently a faculty member at the Silesian University in Poland and she is a former faculty member of the College of William and Mary, Richmond University in Virginia, University of Nevada in Las Vegas, the University of Virginia in Charlottesville, and the Levine School of Music in Washington D.C.